Posts tagged “publishing

How I Found My Publisher

A few people have been curious about how I found a publisher for my suspense novel, Pitcher Plant, which will be released this spring. I thought I’d take some time and answer the question.

I connected with Filles Vertes Publishing through #PitMad (short for Pitch Madness), a pitch party on Twitter. The event was created by young adult author Brenda Drake, and I encourage you to check out her blog to learn more about her work and the details on #PitMad. She collects success stories from authors who have found agents and publishers through the event, so that’s a great resource for learning about what has worked for other people.

#PitMad occurs quarterly—the next event is March 23. If you have a completed, polished, unpublished manuscript, you pitch it to agents and publishers with a tweet on the day of the event. You have to be brief and focus on the main concept or conflict of the book. You include the book’s title and use hashtags so publishing professionals can sort by genre. For example, #YA would be used for a young adult book (there’s a genre list on Brenda’s blog). You include the hashtag #PitMad so your tweet shows up in the event feed. You can pitch three times on the day of the event, and it’s good to vary the times (think breakfast, lunch, and dinner). Professionals may view the feed at different times during the day, though I’ve noticed many of them check in early in the day. You can use the same pitch each time, or try different versions.

The key advantage to #PitMad is it’s a way to get out of the slush pile. If an agent or publisher favorites your tweet, that’s an invitation to send your query to them. You’ll want to follow their submission instructions (usually this means including #PitMad in the subject line of your email so they can easily spot your query). You’ll likely get a response more quickly than if you query without an invitation. You should research where you submit, because you want to tailor your query and make sure it’s a fit for that professional’s manuscript wish list, and also because anyone can say they are an agent or a publisher, and you want to be certain they’re legit.

IMG_7987

A few tips on writing your query letter. First, always be courteous and professional (say thank you). You’re applying for a job, so don’t assume you’ll get a contract. If possible, let the agent or publisher know why you’ve chosen to query them—in this case, because they liked your pitch. Include critical information: the title, word count, genre, and if requested via the submission guidelines, whether or not the query is exclusive. Follow that with a brief description of the book, and then a short bio. With your bio, you want to focus on relevant experience: other books you’ve written, notable accomplishments like awards or bestselling lists, and other experience related to writing. You don’t need to include much else, although if you wanted one sentence on your other interests, just to show your personality, that would probably be okay. Publishing professionals are more interested in the content of your book and whether or not it has the potential to sell than your hobbies.

As an example, here’s the query letter I sent to Filles Vertes Publishing after #PitMad:

 

Dear FVP Team,

Thank you for your invitation to share more about my novel at this week’s PitMad event. Here is the pitch you favorited: Buying a seaside fixer-upper seemed like a great idea until Tawny unearthed a murder victim. Now she’s next.

Set in a beachside town in the Pacific Northwest, PITCHER PLANT is a suspense novel with romance and elements of horror. It is complete at 85,500 words.

When thirty-year-old Tawny Ellis spots a weathered fixer-upper for sale in Seaside, Oregon, she jumps at the chance to own a house near the beach. She and her husband Mark are tired of sinking money into a high-priced rental, and hope by investing in the house, they can supplement their income by opening a bed and breakfast. Their marriage begins to unravel as repairs cost more than expected, budget cuts threaten Mark’s job, and Mark grows jealous over Tawny’s budding friendship with an attractive handyman. Tensions rise as Nicholas Stroud, the house’s former owner, begins stalking Tawny and her two young daughters. Tawny learns that Stroud lost his childhood home through foreclosure, and believes he may still be angry over the loss.

Then one of Tawny’s daughters starts talking about a new friend, one who might be imaginary. This friend bears a striking resemblance to a former resident, a little girl who squatted in the house with her drug-addicted mother during the foreclosure. Now the girl and her mother are missing, and Tawny suspects Stroud may be responsible for their disappearances. After finding evidence of foul play in the house, Tawny fears she and her daughters may become Stroud’s next victims.

I am an award-winning author living near Seaside with twin boys, a neurotic dog, and a piranha. Sign of the Throne, my debut young adult novel published by an independent press, won a 2014 Reader’s Favorite International Book Award and a 2014 Eric Hoffer Book Award. My third book, The Sower Comes, won a 2016 Eric Hoffer Book Award. My fourth book, Sunset Empire, was released this week in the Secrets and Shadows YA box set. Today I was excited to learn that the collection is a #1 Amazon Bestseller in the UK.

Besides my weekly blog on MelissaEskueOusley.com, I contribute monthly articles about writing, editing, and marketing to BookDaily.com and I have edited for Barking Rain Press and Lorincz Literary.

Thank you for your time and for considering my submission. The first 25 pages are included below.

Sincerely,

Melissa Eskue Ousley

 

I hope this is helpful. Comment if you have questions, and best of luck with your submissions!

© Melissa Eskue Ousley 2017

Advertisements

News on Pitcher Plant

Who’s got a publishing contract? This girl! I’m thrilled to share that my suspense novel, Pitcher Plant, will be published this spring by Filles Vertes Publishing. FVP is a press with awesome staff, contagious creative energy, and great industry knowledge. I’m so grateful for the opportunity to work with them.

pitcher-plant-photo

What’s Pitcher Plant about? It is set on the northern Oregon coast. Here’s a description:

When thirty-year-old Tawny Ellis spots a weathered fixer-upper for sale in Seaside, Oregon, she jumps at the chance to own a house near the beach. She and her husband Mark are tired of sinking money into a high-priced rental, and hope by investing in the house, they can supplement their income by opening a bed and breakfast. Their marriage begins to unravel as repairs cost more than expected, budget cuts threaten Mark’s job, and Mark grows jealous over Tawny’s budding friendship with an attractive handyman. Tensions rise as Nicholas Stroud, the house’s former owner, begins stalking Tawny and her two young daughters. Tawny learns that Stroud lost his childhood home through foreclosure, and believes he may still be angry over the loss.

Then one of Tawny’s daughters starts talking about a new friend, one who might be imaginary. This friend bears a striking resemblance to a former resident, a little girl who squatted in the house with her drug-addicted mother during the foreclosure. Now the girl and her mother are missing, and Tawny suspects Stroud may be responsible for their disappearances. After finding evidence of foul play in the house, Tawny fears she and her daughters may become Stroud’s next victims.

fvp-launch-party-graphic

Join us on January 28 for the FVP launch party on Facebook, 7:30pm-10:30pm EST. Connect with publishing industry professionals and enter to win prizes! Giveaways include two full manuscript critiques, partial and submission package critiques, Amazon gift cards, and more!

© Melissa Eskue Ousley 2017


So, You Want to be a Writer…

Sometimes I get questions from readers, and I enjoy answering them. I know a lot of you out there are into writing, so I think you’ll find this interesting. Here’s the question and my answer.

“I have a question for you since you are a published writer. Was it hard to get your work published? How did you decide on genre? I would like to start writing and just didn’t know how to get started.”

Well, when I began this journey, I wasn’t sure how to get started either. I was an avid reader, but I knew nothing about the publishing industry—how the process works, how to query an agent, how presses choose what they will publish—none of that. I’ve been doing this for a number of years now, and I’ve learned a lot of hard lessons. I still don’t have all the answers, but maybe what I’ve learned will make your path easier.

I started writing because I had a story in my head and I wanted to see how it would play out. I can’t say I set out with genre in mind. I was simply writing the kind of story I wanted to read. I wrote a fantasy story with a teen protagonist, so my books are classified as young adult fantasy. At some point, the story took shape and became a novel, and I thought I’d attempt to get it published. Thus began years (YEARS!) of querying agents. Scary, right? Okay, stay with me—don’t get frightened away just yet.

One thing I did correctly is I finished the novel before sending out queries. This is important, because if an agent likes your fiction, they will want to read the whole story. If you don’t have a completed manuscript, game over. (For non-fiction, it’s different. You query with a proposal which may include an outline and sample chapters, depending on the agent’s submission guidelines, and the book does not have to be finished.) So, step one, finish your story.

How do you get started? Begin with short stories or with characters in a scenario, and write every day if you can. Try for an average of 1,000 or more words a day. If you do that every day for three months, you’ll have a novel of 90,000 words. (A note on length: 80-90 thousand words is a good range for a book, depending on genre.) It may take you more than three months, because, let’s face it, other obligations get in the way. But keep going. Don’t worry if it sucks. That’s what revision is for. Finish that first draft.

While you’re working on your book, read as much as you can. Read books similar to yours. Read books that are different too. Think critically about what you read, noting the choices an author makes. Think about what works and what doesn’t. Read books on the craft, and challenge yourself to do better. My favorite writing book is On Writing by Stephen King. It’s a practical and entertaining read, and the guy knows what he’s talking about.

Step two, edit your story. Polish it as much as you can, then give it to a beta reader for critical feedback. After reading your book a number of times, you’ll no longer be able to see the typos. Find somebody smart to give you an honest critique, who you trust to have your best interests in mind. Somebody who can be brutal, but who you’ll still talk to afterward. I have friends who do this for me, people who I respect deeply, who are intelligent and can tell me the truth, whether I’ve got a plot hole or my fly is down. You might also consider hiring a professional editor. The cost is worth it. I truly believe that without my editor, my work wouldn’t be as strong, and I wouldn’t have found a publisher. Another option is to join a writing group. Your fellow writers can give you feedback on your writing and may have insight into the publishing industry.

Your book needs to be as strong as it can be before you send it to agents or publishers, because if your sample pages have too many errors, they will get annoyed and stop reading. Agents get thousands and thousands of queries. Publishing is a competitive industry. If you want to get through the slush pile, your query letter and sample work need to be free of errors and compelling enough to keep them reading. Great writing doesn’t guarantee a contract, however, so don’t take rejections personally. Even if you write beautifully, the agent has to be able to sell your work. Sometimes they love your concept, but there’s no market for it.

That doesn’t mean you should give up. If you really want to do this writing thing, keep going. Research the industry—what type of books agents represent and how to write an effective query letter. Two good resources for this are WritersDigest.com and BookDaily.com. I also recommend reading How Can I Find A Literary Agent?: And 101 Other Questions Asked By Writers by agents Chip MacGregor and Holly Lorincz. It’s full of practical advice to help you as you query. In the meantime, you can keep writing, working on your second book, right?

Do you need an agent to get published? No, but most large publishing houses won’t review your work without one. You can also publish your work independently, not going with a publisher at all. The advantage to that is you make all the choices about how your book will look, and you keep the profits. The disadvantage is the market is flooded with independently published books, and without exposure and a distributor, your book won’t be on shelves in stores unless you do the work to get it there. (I’m oversimplifying for the sake of brevity here—the process for getting books in stores is complicated.)

Trilogy Covers with AwardsSo how did I get published? I went a different route. I attended a local writing conference called Summer in Words, which I highly recommend if you’re in the Pacific Northwest. There, I met a publicist who also serves as a book shepherd. A book shepherd functions like an agent, except instead of working with an author long-term and on commission, the shepherd sends out proposals on your behalf for a fee. Our proposal package consisted of a description of my book, my bio, a list of comparable titles, sample pages, and a marketing plan. We sent it to ten small publishers who did not require representation by an agent. One of them offered me a publishing contract for my young adult trilogy.

I’m grateful to all the people who helped me get published—beta readers, my editor, my book shepherd, my publisher, other authors who mentored me…I’ve learned much through the process. I’ve learned about the industry in marketing my books and in working as an editor for another press. It’s interesting to be on the other side, to be the person critiquing submissions. You gain insight into what works with queries and what doesn’t.

It’s tough to get published. Believe me, I know. I’m in the trenches with you right now. I’m still looking for representation by an agent, but I get more requests for full manuscripts than I used to, so I’m getting closer. I’ll keep you posted if I get an offer. I still have a lot to learn, but I’m hopeful I’ll find the right publishing home for my new books. I’ll keep going, and if you want to get published, you keep going too. Don’t give up.

I hope that answers the question. If you have more questions, send them my way. I’ll help if I can. Best of luck.

© Melissa Eskue Ousley 2016